May 14, 2025
The hanfu clothing

high angle photo of woman sitting on grassChinese patchwork jacket, particular for male children. It is a traditional Han Chinese custom garment, which has been passed down for centuries. The baijiayi is used as a protective talisman for children. It could also be embroidered with symbols and motifs which were considered auspicious, such as auspicious clouds, the Chinese zodiac, the bagua and the five poisons. The baijiayi is a symbol of longevity, and it was one of the ritual procedures of the “One-hundred-day celebration”, along with the baijia locks. In the past, due to the lag in health care and education, infant mortality was relatively high. The baijiayi was supposed to protect the child from evil spirits through the use of many donated fabrics of multiple colours. These small pieces of cloth was collected from various local families, which were supposed to represent ” one hundred families”. These pieces of fabric would symbolize the combined strength of the donators and were believed protect their sons from or ward off evil spirits and ghosts. The mother would receive these pieces of fabrics in order to make the finished baijiayi for her child. Nevertheless, people believed that an infant’s death was due to a ghost. The baijiayi could not be taken off until the child reaches one year old. People started making Chinese patchwork in the Liu Song of the Southern dynasty era. The first emperor of Liu Song dynasty, named Liu Yu, was born in an underprivileged family. When he became the emperor, he perceived this kind of patchwork as the symbol for his impoverished childhood. His mother gathered rags from the neighbourhoods to make a patchwork cloth. All the infants in Liu’s family had to use the patchwork so that his offspring could know how fortunate they were. A similar style of clothing to the baijiayi is the shuitianyi. Afterward, his subjects followed this royal custom of making “Bai jia yi” for their babies. Hanson, Marin F. (2012). “Cross-cultural Commemoration:Historical Chinese Patchwork Inspires a New Tradition in America”. Hanson, Marin, F. (2014). “‘One Hundred Good Wishes Quilts’: Expressions of Cross-Cultural Communication”. Textile Society of America 13th Biennial Symposium. Uncoverings: Research Papers of the American Quilt Study Group. Feng, Ge (2015). Traditional Chinese rites and rituals. Aqiusha (2012). “百家衣的由來 (Origin of Baijia yi)”. Zhengming Du. Newcastle upon Tyne: Cambridge Scholars Publishing. Yin, Zhihong (2019). “Study on the Evolution and Development of Baina Clothing to Shuitian Clothing in the Ming and Qing Dynasties”. Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Vol. This page was last edited on 21 December 2024, at 14:36 (UTC). 368. Atlantis Press. pp. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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